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刘静怡,陈路懿,丁页. 基于语义差异法的萱草纹样感知意象研究[J]. 应用技术学报,2023,23(1):90-94.. DOI: 10.3969/j.issn.2096-3424.2023.01.015
引用本文: 刘静怡,陈路懿,丁页. 基于语义差异法的萱草纹样感知意象研究[J]. 应用技术学报,2023,23(1):90-94.. DOI: 10.3969/j.issn.2096-3424.2023.01.015
LIU Jingyi, CHEN Luyi, DING Ye. Research on perceptual image of Hemerocallis pattern based on semantic difference method[J]. Journal of Technology, 2023, 23(1): 90-94. DOI: 10.3969/j.issn.2096-3424.2023.01.015
Citation: LIU Jingyi, CHEN Luyi, DING Ye. Research on perceptual image of Hemerocallis pattern based on semantic difference method[J]. Journal of Technology, 2023, 23(1): 90-94. DOI: 10.3969/j.issn.2096-3424.2023.01.015

基于语义差异法的萱草纹样感知意象研究

Research on perceptual image of Hemerocallis pattern based on semantic difference method

  • 摘要: 萱草是中国传统的“母亲花”,研究萱草纹样的感知意象对其纹样设计具有重要作用。采用语义差异(SD)法分析萱草纹样的感知意象,采用因子分析(FA)法提炼感知意象的主成分因子,并分析各因子对应的代表样本的特点、设计要素的意象匹配度以及优先程度。结果显示,萱草纹样的感知意象总体为偏华丽、单一、饱满、动态、简约、柔和、疏朗、具象。“华丽的、饱满的、柔和的”意象,设计要素优先级为构图>线条>元素;“单一的、动态的、具象的”意象,通过占据视觉中心的相对写实的萱草图案以及不同构图方式来表现,设计要素优先级为线条>元素>构图。应根据萱草“母亲花”的内涵,结合人们的感知偏好,突出萱草纹样“饱满的、柔和的、动态的”意象,为创新萱草纹样设计提供可靠依据,为传统植物纹样的创新发展提供积极探索。

     

    Abstract: Hemerocallis fulva is a traditional Chinese “mother flower”. The perceptual image of Hemerocallis pattern plays an important role in its pattern design. Semantic difference method was used to analyze the perceptual image of Hemerocallis pattern, and factor analysis method was used to extract the perceptual component factors of the perceived image, and analyze the characteristics of the representative samples corresponding to each factor, the image matching degree and priority of the design elements. The results showed that the perceptual images of Hemerocallis patterns generally had gorgeous colors, single elements, full composition, dynamic rhythm, simple structure, soft lines, sparse layout and concrete form. To attain the image of “gorgeousness, fullness and softness”, the design elements were prioritized as composition > lines > elements; The images of being “single, dynamic and concrete” were expressed through the relatively realistic Hemerocallis patterns of the visual center and different composition methods. The design elements were prioritized as lines > elements > composition. It is suggested that people's perceptual preferences be considered in the research on Hemerocallis pattern focusing on the fullness, softness and dynamics of Hemerocallis patterns in the future, which provides a reliable basis for original design of Hemerocallis patterns and initiates more active explorations of the innovative development of traditional plant patterns.

     

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